Candice Purwin, the illustrator, animator and graphic novelist behind the Teenage Kicks exhibition, said: “Illustrating Teenage Kicks gave me a rare and unique opportunity to bring to life a deeply transformative period of British history for women and girls. The stories these eight women shared with us are rich in detail and experiences that deconstruct the teenage girl stereotype we are usually shown.  I’m excited for the exhibition to bring this history to a wider audience and that we get to share the work in such an iconic space.”

Caroline Gausden, Development worker for Curating and Engagement at Glasgow Women’s Library, added: “Our mission at Glasgow Women’s Library is to celebrate the lives and achievements of women and champion their contribution to society, so Teenage Kicks is a great addition to our busy programme. This generation of women, has played – and is playing - a huge part in how Britain has changed since the Second World War. We hope that visitors of all ages enjoy the exhibition, whether or not they remember the sixties themselves!”

There will be a linked to the exhibition at Glasgow Women’s Library on 18 April 2024.

Teenage Kicks is part of The University of Manchester’s , and has been funded by the Economic and Social Research Council (ESRC).

Lee will join from London’s , where she is a Senior Curator of International Art. Since 2019 she has led the ‘Hyundai Tate Research Centre: Transnational’, a major research initiative in partnership with Hyundai Motor, exploring new perspectives on global art histories. In 2021 she was also appointed Artistic Director of South Korea’s 14^th Gwangju Biennale, which opened in April 2023.

During her tenure at Tate Modern, Lee curated several major exhibitions and displays including Richard Bell: Embassy (2023), A Year in Art: Australia 1992 (2021-23), and Nam June Paik (2019-20), which went on to tour to Europe, USA and Asia. She also played an invaluable role in shaping Tate's international art collection strategy by leading such initiatives as Asia Pacific Acquisitions Committee and the co-acquisition programme with Museum of Contemporary Art, Australia, in partnership with the Qantas Foundation.

She will take up her role at the Whitworth in August 2023 and will become Honorary Professor of Transcultural Curating at the University.

Speaking about her forthcoming position as the Whitworth’s Director, Sook-Kyung Lee said: “It is a huge honour for me to take up the role of Director at the Whitworth, one of the most innovative and audience-focused art institutions in the UK and internationally. I have admired the Whitworth's commitment to work with local communities and to use art for positive social change. I would like to further develop the gallery in its artistic rigour and social impacts and to widen its global connections, along with the gallery's dedicated staff and The University of Manchester.”

The Whitworth operates as a convening space between the University and the people of the city. It was founded in 1889 as The Whitworth Institute and Park in memory of the industrialist Sir Joseph Whitworth for “the perpetual gratification of the people of Manchester” and continues this mission today in new contexts.

Nalin Thakkar, Vice-President for Social Responsibility at The University of Manchester said: “I am delighted that Sook-Kyung Lee is joining us as the new Director of the Whitworth art gallery and will take up the position as Honorary Professor of Transcultural Curating. There is a fantastic opportunity to build on the Whitworth’s international renown as a leading cultural institution, whilst working closely with the University, the city of Manchester, our community partners and other stakeholders to strengthen its current focus and explore new exciting directions for the future.”

In 2015 the gallery undertook a £17 million redevelopment by architects MUMA, which doubled the public space, creating new facilities to house the collection of over 65,000 works of art, textiles, and wallpaper. Along with expanded gallery spaces, a study centre, learning studio, and collections care centre, the gallery reconnected with its park, with communal gardens and outdoor programmes.

The Whitworth is home to exhibitions and projects which often represent and explore the experiences of our local and global communities. Currently the (Un)Defining Queer exhibition delves into the Whitworth's collection to examine how we can use a queer lens to define what the term 'queer’ means, co-led by an intersectional group of people who self-identify as LGBTQIA+.

Later this month, the gallery will showcase new project and exhibition Economics the Blockbuster presented as part of Manchester International Festival 2023. Economics the Blockbuster will explore how art and artists are shaping the economy and will include works by artists and artist groups based in the UK and internationally.

The gallery is driven by a mission to work with communities to use art for positive social change, and actively address what matters most in people’s lives. This new vision has been developed as part of an international dialogue about how to evolve and adapt museums to a constantly changing world. This work is underpinned by three key concepts: learning together, through making and doing; creating a place of care, consideration, and community; taking action.

 

Gallery opening times:

Tuesday to Sunday 10am-5pm, Thursday late opening until 9pm.

“His murals transcend traditional models of history painting by focusing on the idea of human vitality. As Brown saw it, history painting should be an exercise in understanding how ordinary people interact with broader social forces and powers. The displays of exuberance in the murals confirm Brown's concern with the idea of human freedom - and what people do when confronted by representatives of the political establishment.”